Birthday: 1 April 1953, New York City, New York, USA
Barry Sonnenfeld was born and raised in New York City. He graduated from New York University of Film School in 1978. He started work as director of photography on the Oscar-nominated In Our Water (1982). Then Joel Coen and Ethan Coen hired him for Blood Simple. (1984). This film began his collaboration with the Coen Bros., who used him for their ne...
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Barry Sonnenfeld was born and raised in New York City. He graduated from New York University of Film School in 1978. He started work as director of photography on the Oscar-nominated In Our Water (1982). Then Joel Coen and Ethan Coen hired him for Blood Simple. (1984). This film began his collaboration with the Coen Bros., who used him for their next two pictures, Raising Arizona (1987) and Miller's Crossing (1990). He also worked with Danny DeVito on his Throw Momma from the Train (1987) and Rob Reiner on When Harry Met Sally... (1989) and Misery (1990). Sonnenfeld got his first work as a director from Orion Pictures on The Addams Family (1991), a box-office success released in November 1991 followed by its sequel, Addams Family Values (1993). He received critical acclaim for his fourth directorial effort, Get Shorty (1995). Produced by Jersey Films and based on a novel by Elmore Leonard, the film won a Golden Globe for best male performance. In 1996 Steven Spielberg asked him to direct Men in Black (1997). Starring Tommy Lee Jones and Will Smith, the movie was a critical and financial smash. Producer Jon Peters then asked Sonnenfeld to direct Wild Wild West (1999), an adaptation of an old TV series. He also directed the comedy Big Trouble (2002), after which he made his most successful film sequel, Men in Black II (2002). Show less «
[on directing Will Smith and Tommy Lee Jones] Although Will would always be deferential and charming...Show more »
[on directing Will Smith and Tommy Lee Jones] Although Will would always be deferential and charming he's an eight-month-old Great Dane puppy, and he's got way too much energy, way too much joy, too much karmic perfection. And I think that may have affected Tommy. But from the entire first movie [they] loved each other. Will genuinely feels Tommy's one of the funniest people he's ever met because Tommy is George Burns and Will is Gracie Allen. You need both. Show less «
[on what he took away from each "Men in Black" film] - The first one was unique because it was the f...Show more »
[on what he took away from each "Men in Black" film] - The first one was unique because it was the first one in the series and we got to create this world. What we realized in the second movie is that we thought the first movie was a comedy, and we realized that it was funny, but not a comedy. And the second one was too, "funny" or "joke-y," and we were trying for comic-beats as apposed to telling a great story. And the third Men in Black, we went back to the roots and it's much more like the first Men in Black, which is that it's really about emotion, character, and relationships. And if it's funny, it's funny because of those things, but we're not cutting to singing dogs. Show less «
About Men in Black (1997): "It's basically a remake of The French Connection (1971) with aliens as a...Show more »
About Men in Black (1997): "It's basically a remake of The French Connection (1971) with aliens as a comedy." Show less «
A director sits on the set 11 and a half hours a day. And for 30 minutes they get to direct.
A director sits on the set 11 and a half hours a day. And for 30 minutes they get to direct.