Birthday: October 29, 1891 in New York City, New York, USA
Birth Name: Fania Borach
Height: 168 cm
Fanny Brice was a popular and influential American comedienne, singer, theatre and film actress, who made many stage, radio and film appearances but is best remembered as the creator and star of the top-rated radio comedy series, The Baby Snooks Show. Thirteen years after her death, she was portrayed on the Broadway stage by Barbra Streisand in Fun...
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Fanny Brice was a popular and influential American comedienne, singer, theatre and film actress, who made many stage, radio and film appearances but is best remembered as the creator and star of the top-rated radio comedy series, The Baby Snooks Show. Thirteen years after her death, she was portrayed on the Broadway stage by Barbra Streisand in Funny Girl. The show was made into a musical film in 1968. Born Fania Borach, in New York City, she was the third child of Rose (Stern) and Charles Borach, relatively well-off saloon owners of Hungarian Jewish descent. In 1908, she dropped out of school to work in a burlesque revue, and two years later she began her association with Florenz Ziegfeld, headlining his Ziegfeld Follies from 1910 into the 1930s. In the 1921 Follies, she was featured singing "My Man" which became both a big hit and her signature song. She made a popular recording of it for Victor Records. The second song most associated with her is "Second Hand Rose". She recorded nearly two dozen record sides for Victor and also cut several for Columbia. She is a posthumous recipient of a Grammy Hall of Fame Award for her 1921 recording of "My Man". Her films include My Man (1928), Be Yourself! (1930) and Everybody Sing (1938) with Judy Garland. Brice, Ray Bolger and Harriet Hoctor were the only original Ziegfeld performers to portray themselves in The Great Ziegfeld (1936) and Ziegfeld Follies (1946). For her contribution to the motion picture industry, she has a star on the Hollywood Walk of Fame at MP 6415 Hollywood Boulevard. Show less «
[summing up her career] Listen, kid. I've done everything in theatre except marry a property man. I'...Show more »
[summing up her career] Listen, kid. I've done everything in theatre except marry a property man. I've been a soubrette in burlesque and I've accompanied stereopticon slides. I've acted for Belasco [David Belasco] and I've laid 'em out in rows at the Palace. I've doubled as an alligator; I've worked for the Schuberts; and I've been joined to Billy Rose in the holy bonds. I've painted the house boards and I've sold tickets and I've been fired by George M. Cohan. I've played in London before the king and in Oil City before miners with lanterns in their caps. Show less «
I am not sorry. I will tell anybody that, and it is the truth. I lived the way I wanted and never di...Show more »
I am not sorry. I will tell anybody that, and it is the truth. I lived the way I wanted and never did what people said I should do or advised me to do. And I want my children to do the same. Let the world know you as you are, not as you think you should be, because sooner or later, if you are posing, you will forget the pose, and then where are you? Show less «
[on Esther Williams] Wet, she's a star. Dry, she ain't.
[on Esther Williams] Wet, she's a star. Dry, she ain't.
Men always fall for frigid women because they put on the best show.
Men always fall for frigid women because they put on the best show.
You give the audience everything you need. They tell you. There is no director who can direct you li...Show more »
You give the audience everything you need. They tell you. There is no director who can direct you like an audience. You step out on the stage and you can feel it is a nervous audience. So you calm them down. I come out before an audience and maybe my house burned down an hour ago, maybe my husband stayed out all night, but I stand there. I'm still. I don't move. I wait for the introduction. Maybe I cough. Maybe I touch myself. But before I do anything, I got them with me, right there in my hand and comfortable. That's my job, to make them comfortable, because if they wanted to be nervous, they could have stayed home and added their bills. Show less «
With Nick Arnstein, I was miserably happy. With Billy Rose, I was happily miserable.
With Nick Arnstein, I was miserably happy. With Billy Rose, I was happily miserable.
There is no thrill more wonderful than that which comes with the feel of a friendly audience, and it...Show more »
There is no thrill more wonderful than that which comes with the feel of a friendly audience, and it is a thrill that comes more than once in a lifetime. It is subconscious but powerful, much like sensing the presence of a friend in the darkness. An audience reflects an actor's attitude as faithfully as a mirror. If he is relaxed and sure of himself his audience gives him its heart. But if he feels fear or works too hard for his effects there is thrown over the house the chill of discomfort. Show less «