Immediately after her victory in the world of beauty, the world of cinema took interest in her. In Wholesome Married Life, directed by Roberto Bodegas and written by José Luis Garci, she played the temptress of José Sacristán, a married man obsessed with publicity. In Tocata y fuga de Lolita, by Antonio Drove, she was the rebellious girl who displayed her beautiful bust, a big contributor to the movie's popularity. In the 70's, Spanish cinema was at the height of destape [double meaning: "liberalization" and "nudity"], and the splendid figure of Amparo Muñoz found 9 titles in which to reveal itself, including Sensualidad (Germán Lorente, 1975), Clara is the Price (Vicente Aranda, 1975), and The Other Bedchamber (Eloy de la Iglesia, 1976).After appearances in Volvoreta (José Antonio Nieves Conde, 1976), Mauricio, mon amour (Juan Bosch, 1976), Acto de posesión (Javier Aguirre, 1977), and Del amor y de la muerte (Antonio Giménez Rico, 1977), among other films, her cinematic career took a notable turn when she began a relationship with the producer Elías Querejeta, facilitating her appearances in films as important as Mama's 100th Birthday (Carlos Saura, 1979) and Dedicatoria (Jaime Chávarri, 1980), which called her to the attention of other directors in both Spain and Mexico, such as Felipe Cazals (The Seven Cuckoos), Antonio Artero (Take That, Bitch), Pilar Miró (We Will Speak Tonight), Fernando Méndez-Leite (Summertime Sonata), Jaime Camino (The Open Balcony), Emilio Martínez Lázaro (Lulú of the Night), Imanol Uribe (The Black Moon), and Fernando León de Aranoa (Familia). Show less «