Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
Alec Guinness, perfectly cast, might not look so good in a pair of skintight trunks, but Smiley's brains and guile are worth all of Bond's gadgets put together. His dissection of the commie conspiracy is riveting from start to bloody finish.
The BBC's Tinker, Tailor, Soldier, Spy may not be as flashy as more recent espionage dramas, but it would be difficult to find a role or performance more substantive than Alec Guinness' George Smiley.
As George Smiley, a career spy whose most effective mask was his own blank implacability, Guinness found perhaps the perfect vehicle for the witty remoteness that marked his career.
Bovine of pace, often ugly to behold, and content to meander along byways that petered out into open country or led inexorably to dead ends, yet I was tensed and transfixed by every minute
Irvin paces his thriller with a deliberate slowness I imagine he hoped would help people keep up with the variety of characters, twists, and turns. It might for some.
As played by Guinness, a master of the ambiguous smile, Smiley exudes a melancholy kindness that may not be kind, and a knowledge of human frailty that's profound
Director John Irvin and writer Arthur Hocraft have caught the crisp, cool, sinister wittiness of Le Carre's portrayal beautifully; they have been absolutely faithful in spirit and they have contributed complementary originalities of their own.