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Here we live in a series of dramatic events that speak of a documentary world of crime and murder, where the lawyers of the Innocence Project appeal to the conviction of the murder of Ron and Dennis in mysterious circumstances. On the other hand, autopsy reveals that there is a contradiction in the recognition made by Tommy and Carl, and there seems to be many evidence discovered by the reporter of investigations.
Watching The Innocent Man is like watching a genre calcify in real time, stirring up a rudimentary sense of curiosity and outrage while running through every true-crime cliche imaginable with little sense of focus or urgency or formal experimentation.
It's not exactly an artistic flop. It's also not an artistic masterpiece. It's a formulaic, non-boundary-pushing, 100% vanilla iteration of its genre (not surprising, given the source).