Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
A real drama of terror looks terrifying to many. A brown girl is kidnapped and killed despite her presence in the middle of her family. That girl who grew up in a white family embraced her since childhood. But in the end it seems that the family will blame remorse, guilt and bad reputation for it.
The construction was so distracting and distancing you never felt fully immersed in the way that you did with either National Treasure or Happy Valley. I just couldn't quite believe it.
As played by [Sarah] Lancashire, who seems entirely at home with a soft Bristolian burr, Miriam is a powerful symbol for all independent-minded pragmatists who fall foul of arse-covering, morale-sapping workplace protocols.
The genius of Thorne's writing is that he plays to his viewers' assumptions and then pulls the rug out from underneath them, exposing their own biases in the process.