Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
Playwright Tony Kushner adapted his political epic about the A.I.D.S. crisis during the mid 1980s and centers the story around a group of separate but connected individuals.
Only TV - or, specifically, HBO - could give this magnificent, reckless, enormously entertaining masterwork of rage and hope, of politics and poetry, the unrestrained and generous canvas it deserves.
Note-perfectly written for the screen by its playwright, Tony Kushner, the adaptation is as trenchant, poetic, fantastical, and moving as its source -- with the added thrill of an up-close cinematic approach.
Meryl Streep gave the performance of the year in any medium with her flawless disappearing act into (among others) a tenacious Mormon matron, a wily (male) rabbi, and the wry and vengeful specter of Ethel Rosenberg.
"Angels in America" is one of the most dazzling movies ever made for television or any other means of projecting a film, but it dazzles the mind as well as the eye.
Every performance draws you in and holds you in its grip, and Nichols directs with such inventiveness that Angels in America doesn't seem like a televised play at all but its own full-blown original movie.
Under director Nichols, Angels in America receives its definitive treatment and emerges as a vivid but exhausting experience. The great revelation is the cast, which proves there's no special effect equal to heartfelt acting.