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A man wakes up, severely injured, in a wrecked car in the bottom of a ravine with his right leg stuck between the dashboard and the door. He has a broken leg and is suffering from amnesia. He hallucinates about a woman (Caroline Dhavernas) finding him.
Brody is as convincing as the script allows, and he deserves points for powering such a low-budget exercise. But the final product can only be rated partially successful.
...Wrecked makes its audience suffer along with its amnesiac protagonist. It's often boring and more than occasionally repetitive, dragging like the character's lame leg through the woods...
It might not be James Franco's tour de force in the higher-profile "127 Hours," but Oscar winner Adrien Brody makes a meal of his seriously injured character.
In all those empty blockbusters, the big screen swells pointlessly; at least in these narrow spaces it shrinks with a real purpose. Far better the tight squeeze than the big bloat.
Secured by Brody's committed performance, the feature-length debut of director Michael Greenspan has the stable definition of a one-act play, and only falls apart when the plot starts to repeat itself
"first 30 minutes are as scary as anything I've seen in recent months. Director Greenspan, shooting in British Columbia, does a terrific job of sustaining Brody's restricted point-of-view ...
Asked to convey a wide spectrum of emotional tones like confusion, shock, sadness, anger and oh, look out for the mountain lion, Brody does all he can to hold the screen.