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New-relationship anxiety escalates to dark suspicion -- or is it unhinged paranoia? -- in Ingrid Jungermann's nimble horror-tinged comedy Women Who Kill.
Appealing as the film's storyline is, and adept as the feature proves at navigating shifts in tone from amusing to sinister and back again too, it's minutiae that matters most.
The final twist in Women Who Kill might leave you first shaking your head, and then marveling at Jungermann's courage in allowing a character as alive in her contradictions as Morgan the imaginative luxury of ambiguity to the very end.