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Vivienne Westwood is a standout amongst the best form designers crosswise over history on account of what she has done in this field. She had a vast successful job to bring present day punk and new wave styles into the standard. Additionally, she has gotten numerous prizes, for example, Queen Export Award. This narrative film takes a deep look on her own life.
It's a nice little documentary that doesn't dare to dig too deep, mostly covering the varying of chapters of Westwood's life quickly while avoiding any and all controversy.
Lorna Tucker's documentary portrait focuses equally on what happened afterwards, painting its subject as a committed activist, an artist with no time for convention or false modesty, and a personality worth spending time with.
It provides a fascinating, involving glimpse of both who Westwood was back in the day and who she is at this particular moment in time, so much so that we genuinely miss her once the credits begin to roll.
Obviously, Westwood is a great talent, and her career stands for itself. But the Westwood who sits for director Lorna Tucker's camera doesn't seem to want to be there and tells her story - barely - with no excitement.