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The tale of a turf war between rival teenage gangs in Manhattan';;s Hell';;s Kitchen and the two lovers who cross battle lines has captivated audiences for four decades. The feuding families become two warring New York City gangs- the white Jets led by Riff and the Puerto Rican Sharks, led by Bernardo. Their hatred escalates to a point where neither can coexist with any form of understanding. But when Riff';;s best friend Tony and Bernardo';;s younger sister Maria meet at a dance, no one can do anything to stop their love.
Special mention, though, should go to Boris Leven's neo-expressionist production design and Daniel L Fapp's forceful cinematography: the crooked angles, pointed shadows and great swashes of red all heighten the mood of rabid fury.
Ten well-deserved Oscars -- plus a special award for Jerome Robbins's dynamic choreography -- adorned this electrifying and moving version of the magnificent Leonard Bernstein/Stephen Sondheim musical.
West Side Story is a beautifully-mounted, impressive, emotion-ridden and violent musical which, in its stark approach to a raging social problem and realism of unfoldment, may set a pattern for future musical presentations.
Even though I had to play it for my high school choir, I was never a fan of the music. Everything else - the cinematography, choreography and story are all pretty stellar.
Unhappily, the film shares a serious flaw in the essential conception of the show; both are founded on a phony literary analogy and on some potentially vicious pseudo-sociology.
Natalie Wood, who was made a hit in the Kazan-Inge production of Splendor In the Grass and is the most promising young star of today, gives a fine dramatic performance.