We Are The Night 2010 Watch Free in HD

Karoline Herfurth

22 May 1984, Berlin, Germany

Nina Hoss

7 July 1975, Stuttgart, Baden-Württemberg, Germany

Jennifer Ulrich

18 October 1984, Berlin, Germany

Anna Fischer

18 July 1986, Berlin, Germany

Max Riemelt

7 January 1984, Berlin, Germany

Arved Birnbaum

1962, Cottbus, German Democratic Republic

Steffi Kühnert

19 February 1963, East Berlin, East Germany

Jochen Nickel

10 April 1959, Witten, Germany

Ivan Shvedoff

21 September 1969, Leningrad, RSFSR, USSR

Nic Romm

1974, Montreal, Québec, Canada

Manuel Depta

Tomas Jester

Waléra Kanischtscheff

2 November 1965, Lvov, Ukrainian SSR, USSR [now Lviv, Ukraine]

Christian Näthe

1976, Potsdam, German Democratic Republic

Tom Jahn

9 July 1965, Hückelhoven, North Rhine-Westphalia, Germany

Neil Belakhdar

Manou Lubowski

6 November 1969, Munich, Germany

Ruth Glöss

2 August 1928, Dresden, Germany

Cristina do Rego

26 April 1986, Anchieta, Espírito Santo, Brazil

Senta Dorothea Kirschner

4 October 1973, Hanover, Lower Saxony, West Germany

Dennis Gansel

4 October 1973, Hanover, Lower Saxony, West Germany

Jan Berger

1970, Berlin, Germany

Lena

Played by: Karoline Herfurth

Louise

Played by: Nina Hoss

Charlotte

Played by: Jennifer Ulrich

Nora

Played by: Anna Fischer

Tom

Played by: Max Riemelt

Lummer

Played by: Arved Birnbaum

Lenas Mutter

Played by: Steffi Kühnert

Village Voice

Gansel compensates for the story's lack of emotional heft with rousing chase scenes and impressive, near-poetic CGI set pieces, and works in a sly suggestion that vampirism is the ultimate expression of consumerist indulgence.

May 24, 2011

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Shockya.com

This feels like a Luc Besson genre knock-off in the best sense of that phrase -- a spunky, stylish mash-up of vampire flick and police procedural, with just a dash of doomed romance. Demerits for the dubbing, though.

May 29, 2011

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Dread Central

It's ambitious, energetic and downright fun. Director Gansel and his female-led cast manage to breathe refreshing new life into what some feel is an overdone subgenre in horror these days

August 10, 2011

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Variety

Stylishly reinvents juvenile pulp with flashy pyrotechnics.

May 25, 2011

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BrianOrndorf.com

Consumed with arranging a pretty picture than securing a ripe female-slanted take on seductive acts of evil and decadence. It's a fireworks display, not a meaty reinvention of a rusty genre.

June 03, 2011

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FEARnet

A slick, stylish (sometimes silly) vampire import. (Avoid the English dub version!)

September 05, 2011

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Slant Magazine

We Are the Night's primary interest seems to be wish fulfillment, but it's hard to tell at times exactly whose fantasies these are supposed to be.

June 03, 2011

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Projected Figures

an odd - and therefore interesting - blend of genetic elitism, feminist emancipation and rave-culture hedonism, where oldworld bloodlines leave a trail imprinted in the postmodern age - all wrapped in a slickly stylish audiovisual package.

August 31, 2012

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What Culture

It's stylishly constructed and a better feminist vampire yarn than Twilight, but still problematic in itself.

August 28, 2012

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Film Journal International

...No genre-changer...but it's bloody, occasionally clever and wears its underlying message about the perils of power lightly...

May 27, 2011

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MovieFreak.com

I had so much fun watching this exercise in gory genre silliness I almost don't know where to begin.

June 03, 2011

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New York Times

A love triangle with fangs but no bite, the German import "We Are the Night" is mostly infatuated with its own stylish excesses.

May 26, 2011

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