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Former Police detective John 'Scottie' Ferguson detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her. Scottie ended up falling in love with her. Unfortunately for him, she died and he was left alone until a woman named Judy came along and things start to unfold.
It's as much a wonder of suspense as it is a catalogue of the director's themes and an allegory for his own art of enticement-and for the erotic pitfalls of his métier.
The old master, now a slave to television, has turned out another Hitchcock-and-bull story in which the mystery is not so much who done it as who cares.
In Vertigo, Hitchcock completely transcends barriers of generic making the film into something enigmatic and impossible to classify. [Full review in Spanish]