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The 33-year-old Sam began to feel stunned by a mysterious search after the girl that he saw in the bathroom of his apartment. Sam began looking for that girl who suddenly disappeared through a journey of mystery everywhere in Los Angeles. Sam wants to know the secret of the disappearance of that girl called Sarah. His quest may reveal many exotic secrets within Los Angeles.
Mitchell is taking a big swing with his third feature, trying something not just new but also more unconventional, ambitious, and even potentially off-putting.
The pretense of muddling nonsense with intellectual rigor means that it will forever be impossible to consider Under the Silver Lake as anything other than an exercise in smugness from a creative mind that has only the barest grasp on the theses it posits
It's the kind of raggedy-ass thriller that only gets made when a young filmmaker, emboldened by success, moves past virtues of concision, hoping to summon the full, meandering spell of a paranoid dream. Don't hold it against him.
Pretty soon the commentary on how Hollywood uses women as decoration outweighs the fact that Mitchell's just repeating the cycle - albeit with better-than-average outfits.
Under the Silver Lake never finds a reason for being as weird as it is, making for a confusing and frustrating experience despite its hypnotic visuals and great score.
Mitchell has interesting ideas, and his actors seem to be having fun, but that's not enough when the film itself lacks atmosphere, or tension, or emotional engagement.