Trash Fire 2016 Watch Free in HD

Adrian Grenier

10 July 1976, Santa Fe, New Mexico, USA

Angela Trimbur

19 July 1981

Fionnula Flanagan

10 December 1941, Dublin, Ireland

AnnaLynne McCord

16 July 1987, Atlanta, Georgia, USA

Sally Kirkland

31 October 1941, New York City, New York, USA

Matthew Gray Gubler

9 March 1980, Las Vegas, Nevada, USA

Ezra Buzzington

Molly McCook

30 July 1990, Los Angeles, California, USA

Ray Santiago

15 June 1984, Bronx, New York, USA

20 June 1977, Harris County, Texas, USA

AV Club

At least it's a good-looking orgy of adolescent nihilism, thanks to some clever stylistic touches from Bates and cinematographer Shane Daly. And if hating everyone is kind of your thing, you might get a kick out of it.

November 03, 2016

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Blu-ray.com

Bates Jr. brings a satisfying level of disturbance to the effort, keeping the audience sufficiently unnerved even with unknown turns of plot, while sustaining its rather lucid take on a terrible relationship.

November 03, 2016

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VODzilla.co

the hyperreal focus here is on domestic and psychological dysfunction, with an only eventually likeable protagonist unable to put conflict with his family's previous generation(s) behind him.

February 17, 2017

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Los Angeles Times

Another soggy batch of Southern Gothic horror-comedy from writer-director Richard Bates Jr. that spews out pitch black smoke with little combustible substance.

November 03, 2016

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HeyUGuys

Trash Fire is a strange and unsettling film but it rarely feels like a shock-value exploitation piece.

November 04, 2016

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Hollywood Reporter

With two low-budget cult films among his credits, Richard Bates, Jr. shifts a bit closer to the mainstream with Trash Fire, a relatively reserved horror-comedy that delves into darkly dysfunctional family secrets.

February 01, 2016

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Film School Rejects

Trash Fire entertains with laughs and thrills, but it also leaves you with an unexpected weight on your chest.

November 07, 2016

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RogerEbert.com

It's kind of like Meet the Parents crossed with Psycho and it's a dark, nasty piece of work in most of the ways it should be.

November 03, 2016

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Village Voice

Bates plays with horror tropes, juggling black comedy and suspense in scenes that tease a gory release but ultimately only emphasize how much members of the creative class can underestimate their backward kin.

November 02, 2016

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FILMINK (Australia)

Tonally vicious and nihilistic throughout

February 12, 2017

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New York Times

A failed American Guignol.

November 03, 2016

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