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When Joel land Molly met, they hated each other at first sight: his big Corporate Candy Company threatened to shut down her quirky indie shop. Moreover, Joel was hung up on his sexy ex. But amazingly, they fell in love, until they broke up about two thirds of the way through, and Molly started dating her accountant. But then right at the end…
Simply recreating what we know to be hackneyed and safe doesn't suddenly make it hilarious and surprising. There has to be a spin to it; there has to be some innovation.
In an era where much of the spoof genre simply lazy repeats scenarios, [the film] brilliantly and hilariously deconstructs every aspect of the genre to provide one of the funniest films one is bound to see this year.
At times laugh out loud-inducing, but ultimately feels more like a promising Saturday Night Live skit (the romcom couple?) than a standalone piece of entertainment.
Not every gag completely works, but there's enough genuinely funny writing here to keep audiences laughing throughout the movie's 83 entertaining minutes.
The film feels fatuous and irritatingly complacent. Everybody's calling attention to the barrage of familiar clichés without doing much to subvert them.
Wain's film is both a takedown and a tribute: As with his summer-camp-movie spoof Wet Hot American Summer, you walk away with a renewed love for the genre.