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Continuing Part 1, “The Wolverine 2013” follow Logan, the immortal and lonely Wolf Man warrior, to Japan. In “The Wolverine”, the steel blade of Japanese samurai will clash violently with Wolverines Adamantium claws when Logan confronts with a mysterious figure from the past. An uncompromising battle in The Wolverine will make the werewolf be changed forever.
Getting [Wolverine] to the movie's above-average finale required three writers - Christopher McQuarrie, Mark Bomback, and Scott Frank - to pad the plot.
Too quickly the random fights pile up -- so many yakuza thugs who forgot to wear chain mail that morning -- and you yearn for the film that might have been.
It restores the tarnished lustre to this most fan-beloved of Marvel characters by doing precisely what Chris Claremont and Frank Miller's near-sacred 1982 run did: It pumps some feeling into the guy along with his muscles and steel talons.
Director James Mangold's film features some breathtakingly suspenseful action sequences, exquisite production and costume design and colorful characters, some of whom register more powerfully than others.
Wonky closing chapter aside, there's enough in The Wolverine that I find myself preferring it to all of the comic book pictures we've seen so far this year.