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Sergeant Howie (Edward Woodward) arrives on the small Scottish island of Summerisle to investigate the report of a missing child whom the townsfolk claim never existed. Stranger still are the rites that take place there.
A truly unique horror movie, one of the odd handful throughout history that doesn't really seem to have been influenced by anything and has no obvious heirs, not even its own remake.
Robin Hardy's 1973 cult horror film passed through several distributors, several versions, and several bankruptcies, picking up a powerful reputation along the way.
The gothic ambiance and mood synonymous with the era's familiar tales of unholy menace is wholly absent. If there is evil here, it doesn't know it's evil.
Essentially, it's an insane guilty pleasure, still enjoyable for its delightfully eccentric casting and for the funniest, creepiest pub scene in British movies outside of next week's reissue, Withnail & I.
Like many of the best horror/thrillers, The Wicker Man works because it surprises audiences, relying on carefully-nurtured suspense rather than cheap, theatrical shocks.