The Third Man 1949 Watch Free in HD

Set in postwar Vienna, Austria, the film follows Holly Martins, a writer of pulp Westerns, who arrives penniless as a guest of his childhood chum Harry Lime, only to find him dead. He then investigates the mysterious death, and thus begins this legendary tale of love, deception, and murder.

Genre:

Thriller, Mystery

Actors:

Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard, Bernard Lee, Paul Hörbiger, Ernst Deutsch, Siegfried Breuer, Erich Ponto, Wilfrid Hyde-White, Hedwig Bleibtreu, ...»

Director:

Carol Reed

Country:

United Kingdom

Release:

1949

IMDb:

8.1

Quality:

Duration:

104 min

Chicago Tribune

Like many, I have loved this thriller of conscience and betrayal most of my moviegoing life.

July 02, 2015

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Oregonian

It's an exciting experience, dazzling and entertaining and thought-provoking.

July 03, 2015

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Seanax.com

There's an element of show-off quality in The Third Man-it's a stylistic tour de force of bravura lighting, brilliant location shooting, dynamic imagery, and sharp angles throwing the world off kilter-but Reed rises to the challenge of Greene's script.

March 09, 2017

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Seattle Times

Reed and screenwriter Graham Greene let the story unfold slowly and deliberately, like the cigarette smoke that floats around the characters, and keep us guessing at every step.

July 02, 2015

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culturevulture.net

The bombed buildings, piles of rubble and their evocative shadows form a haunting backdrop to the outdoor scenes, particularly at night. ... Greene's talent for dialogue and suspense shine. [It] has more twists and turns than a rollercoaster.

July 04, 2015

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Village Voice

The Third Man is a movie of sobering pleasures.

June 23, 2015

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eFilmCritic.com

Welles was a still-ridiculously young 34 when he played Harry, but he was probably born sounding 56...

July 28, 2015

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Salon.com

"The Third Man" is important not just because of its technique but because of its theme ...

June 26, 2015

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Time Out

A lot funnier than you remember it, Carol Reed's immortal 1949 film noir seems to exist in the space between two worlds: an earlier time when thrillers were mostly serious affairs, and a future one, when such supremely witty entertainments felt passé.

June 24, 2015

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Willamette Week

What really makes the film sing, though, isn't the jaunty and iconic zither score by Anton Karas. It's the film's groundbreaking visual aesthetic, which combines noir tropes with expressionism to create a visual wonderland of living shadows.

July 01, 2015

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Monthly Film Bulletin

By the very nature of its settings and story, there are occasional reminiscences of Lang and Hitchcock, but there is nothing borrowed or imitated. Stylistically, The Third Man is Reed's most impressive film.

August 01, 2015

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Boston Globe

Krasker's camera reveals a dank, matte, defeated city - so dully vivid as to be a character unto itself - except that this Vienna becomes something altogether different seen at night or underground.

August 06, 2015

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