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Driving by her will of meeting her brother, who becomes old and ill, a famous actress, Irina Arkadina, accompanies her lover, Trigorin, a famous novelist, and her son, travel to the country, where they faces many challenges and obstacles of love, when her son falls in love with a country girl named Nina, but incidents come to climax, upon knowing that Nina is in love with Trigorin.
Mayer brings a labored hand to the proceedings and can't maximize his dynamite cast or the potential for salaciousness in Chekov's tangled web of characters.
We are left with the sense of a story that has been co-opted into the same accessible, middlebrow terrain that Chekhov was originally reacting against.
Annette Bening in full flow is always worth one's attention, and a distinguished supporting cast for the most part matches her a large part of the way.
It feels like at times it's attempting to condense the drama...this leads more to the soap-ish end of the spectrum. There's an elliptical quality to the storytelling that I'm not quite sure works this time around.