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Alex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family 'playdate' becomes increasingly interesting as the night goes on.
Written and directed by Patrick Brice with atypical wit, the film is uncensored and hilariously unpredictable, jumping from one titillating gag to the next with the grace of a tightrope walker.
A cross between 'Who's Afraid of Virginia Woolf' and 'Score,' the eyebrow-raising sexual possibilities complimented by real considerations of martial desire and "curiosity."
What makes The Overnight work as well as it does is the cast. The performances here are truly fearless and engaging, with Schwartzman and Scott in particular in high gear.
It's a short film, weighing in at 79 minutes, but that feels about right. You probably wouldn't want to spend a lot more time with these folks, no matter how intriguing their company.
In its best moments, The Overnight deviates from the conventions of a party movie (or "sex comedy," as it has been christened) and veers toward the experimental, the uncanny, the unsettling.