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Karate master Mr. Miyagi goes to Boston to attend a military reunion. There, he visits with Louisa, the widow of his former commander, and meets her granddaughter, Julie. He then takes the troubled adolescent teenage girl under his wing.
While the message that a girl can defend herself against the boys threatening her is a good one, it's lost in a movie where the bullies look like Mussolini's bodyguards and where Julie waits for her boyfriend and Miyagi to come to her defense.
Swank and Morita make a personable pair, enough so that we don't miss Macchio. The monks exude a benevolent presence in a film less trivial than it could have been.
The overt message of any Karate Kid movie: Don't fight unless you absolutely have to. The implicit message: You'll always have to. Let the smitings begin!
This desperate attempt to keep the franchise alive and kicking resorts to a backhanded kind of political correctness: introducing a surly teenage girl karate expert who goes around talking about "kicking butt."
Amid its familiar banalities and formula twists, The Next Karate Kid comes up with one new idea for dealing with difficult American teen-agers: ship 'em off to a Buddhist monastery for two weeks!
Violent sequel doesn't benefit from gender change.
December 15, 2010
Radio Times
A few pre-prom dance lessons are the only significant departure from the tried and tested chop-socky formula, although Michael Ironside is good value as Swank's sinister gym teacher.