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A family curse confines orphaned twins Rachel and Edwards to their home as punishment for their ancestors' sins. Bound to the rules of a haunting childhood lullaby, the twins must never let any outsiders inside the house, must be in their rooms by the chime of midnight, and must never be separated from one another. Breaking any of these rules will incur the wrath of a sinister presence that inhabits the house after midnight.
For all the genre exertions, none of this feels the least bit spooky, including the digital ghouls that float in and the cobwebs that look as if they originated in a spray can.
One of the better Gothic films of recent years, The Lodgers blends beauty and creepiness sublimely. It will delight genre fans and deliver pleasing chills to others.
Has enough style to hold the audience's interest for most of its running time, along with strong performances from stars Charlotte Vega and Bill Milner.
For viewers who take it more as a moody, metaphorical historical drama than as an out-and-out horror film, there's a lot in this lush-looking, sensitively acted picture to recommend.
Enough macabre interests to maintain an absorbing sit, but to reach a point of actual momentum, one must accept O'Malley's overly cautious handling of the feature's fright factor.
The film's obsession with the concepts of family and fate cause it to leave unexplored some other interesting themes, like the encroachment of the 20th century on the European aristocratic class.
"The Lodgers" is never particularly scary, or even logical, but it's always gorgeous to look at; you can see where it's going, but you might not mind watching it go there.
The Lodgers disappoints on a number of levels, many of which have more to do with the limitations of its creators' imagination than the apparently minuscule budget.