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It's been nearly a decade since Tarzan (Alexander Skarsgård) left Africa to live in Victorian England with his wife Jane. Having acclimated to life in London, he is called back to his former home in the jungle to investigate the activities at a mining encampment.
A story with banal characters and wasted performances that falls into terrible paternalism, has a tangled action and it's poor and repetitive. [Full review in Spanish]
The plot of the classic adventure tale has been admirably reconfigured to meet modern sensibilities, but the resulting film is simplistic, condescending, and inert.
This Tarzan is a corrective, a vengeful Congo Unchained that reteams Jackson and Waltz. Yates mines Zirconium Tarantino, even letting Jackson cackle while blasting a machine gun
You have to laugh a little at its audaciousness, but it's so completely irony-free that to deride it would only be cheap. Why not just enter its CGI-heavy bubble of wonder?