Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
The film is based on a novel written by Sherwood King. It is about an Irish-American sailor rescuing a beautiful woman from muggers in Central Park. He falls in love with her so he does not that he is related to a insurance plot.
The climax, a shootout in a funhouse hall of mirrors, is one of the bravura sequences in all film, a triumph of hey-look-at-me form over just-the-facts content.
For all the violations it suffered, The Lady From Shanghai seems strangely coherent in its extant form -- or rather, coherently incoherent, and in a way that seems quite deliberate.
Welles and Hayworth were married at the time; he gives her closeups of unmatched rapture even while allegorizing his own fate as a free spirit caught in the trap of Hollywood's delusional pleasure dome.
The film is as tangled and ingenious as any of Welles's conjuring tricks. The shoot-out in the hall of mirrors is the most famous sequence, but there are other moments just as memorable.