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The movie follows disfigured Quasimodo (Tom Hulce), the bell-ringer of Notre Dame Cathedral, who bides his time locked away in a tower. But in order to help his friend, a gypsy dancer, Quasimodo must assert his independence from a vicious government minister.
If not for some hopelessly incompetent and wasted attempts to lighten the mood... it might well be able to compete with Beauty and the Beast as the best film of the Disney Renaissance.
Though Alan Menken's music misses the big tune that would cap Stephen Schwartz's nimble lyrics, it's the thematic sophistication that brings the movie to life, making older children and adults its best audience.
One of the absolute best of Disney's animated legacy. It approaches the ideas of accepting others for who they are and not allowing antiquated notions of propriety destroy lives.