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Desperate for a good story, The Escort, a romantic comedy about a sex-addicted journalist who throws himself into the world of high-class escorts when he starts following a Stanford-educated prostitute.
In the hands of a director who knew less about how to stage dialog this would have been a bit talky and feel like a lot of soap opera melodrama. Stone takes what could have been taken as exaggeration and leaves it with a realistic feel.
Beautifully shot on rural Australia, capturing both the wild beauty of the countryside and the desolation of the failing economy, the film betrays no evidence of its stage origins...
Made with taste, skill and discretion, "The Daughter" demonstrates both the staying power of classic material and the risks inherent in bringing it up to date.
The characters don't have conversations so much as helpfully recite their back stories, and the long-buried secret is soon so obvious that the movie's last-act hysteria feels forced and a little ridiculous.
The Daughter offers a good but sadly wasted cast, obscured in the eye-rubbing mist of a foggy Down Under countryside and struggling to rise above the sludge of a basic soap opera with literary pretensions.
The off-kilter handheld camerawork frequently chases after the figures as they move about. But there is no disguising that there's much more talk than action in The Daughter.