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9-year-old Cassandra disappears suddenly which causes her father Matthew becoming the prime suspect. 8 years later, a series of incidents happen that indicate she is still alive. Police and her father Matthew continue to reveal the case and rescue Cassandra.
"The Captive" may appear to bite off a little more than it can chew but it's one of the most satisfyingly baroque thrillers of the year, and thanks to a perfectly judged performance by Ryan Reynolds, it's quietly heartbreaking, too.
In a sea of superhero movies, romantic comedies and horror, The Captive, is a good choice for those looking to go a little beyond simple entertainment. [full review in Spanish]
Aggressively stupid when it's not downright illogical, it is hard to imagine a film less deserving for a competition slot at this year's Cannes than The Captive, a subpar Law & Order episode at best.
Becomes baroque and ludicrous as the Hitchcockian scenario loses its psychological bearings in a web of trashy plot twists and self-conscious jumps in time.
The structural gamesmanship is just a smokescreen, a way to obfuscate the pulp nature of what is, ultimately, little more than a glorified, low-aiming potboiler.
Egoyan trusts his talent to play with mystery, but also relies on the public to gradually put together a puzzle made of family drama and the suspense of a thriller. [full review in Spanish]