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A young American named Greta takes a job as a nanny for an 8-year-old boy named Brahms in a remote English village. To Greta's surprise and amusement, Brahms is a porcelain doll, treated like a living child by his 'parents.' After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.
"The Boy" didn't screen for critics, but it's actually a pretty sturdy genre effort. Nearly free of gore... [the film] is careful and clever about revealing what Brahms really is, for he's certainly got a mind and will of his own.
With a little more courage and a lot more craft, Brahms could have been the next Chucky or Annabelle. Instead the little creep is as harmless as a rag doll.
If only writer Stacey Menear and director William Brent Bell took the very real horrors of domestic abuse as seriously as they do the virtual horror of paranormal activity.
It ... has enough scary moments to satisfy horror fans, but you're left wondering whether it might have been more disturbing had it stayed on its original path.
A pretty decent horror movie during the first hour, but a cheap cop out ending destroys all the good work that was made during the beginning. [Full review in Spanish]
Fans of Cohan and spooky flicks will find plenty to enjoy here - enough to give a positive recommendation for - but it will always feel like a missed opportunity not getting to see what we really hoped for.
There's only so much she can do once the movie around her devolves into the usual barrage of jump scares, but Cohan maintains her composure even as Greta loses hers.