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The movie tells the story of a newly married couple who are forced to navigate the all-consuming interest of a powerful, mysterious, and possessive philanthropist who is in an attempt to relive his past.
"A compelling portrait of a man on the verge.... Suffers from a sense of rigidity that somehow both fits its themes and stymies a greater sense of realism."
Fanning has little to do beyond grasping her prosthetic stomach, but James is a decent foil for Gere, who gives form to the highly topical subject of how pain meds destroy lives.
Believe me when I say that not even a single scene in this film works. Gere is terrible here and the plot goes on and on to nowhere. [Full review in Spanish]