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  •  Trailer
In a room with no windows on the eastern coast of Africa, an Englishman, James Moore, is held captive by jihadist fighters. Thousands of miles away on the Greenland Sea, Danielle Flinders prepares to dive in a submersive to the ocean floor. In their confines they are drawn back to the Christmas of the previous year, where a chance encounter on a beach in France led to an intense and enduring romance.
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AV Club
An objectively bad movie, paradoxically ponderous and pointless.
April 11, 2018
El Pais (Spain)
Submergence moves, as one of its creatures, in waters so turbulent it can't scale its excessive ambitions. [Full Review in Spanish]
April 10, 2018
Film Threat
Despite their strong performances, McAvoy and Vikander are unable to save this sinking ship of a film. Ultimately, we are sadly left with an average movie that leaves viewers feeling disappointed and unsatisfied.
April 12, 2018
New York Times
Ms. Dignam's script distills the novel into middlebrow Hollywood treacle.
April 12, 2018
Blu-ray.com
Much of "Submergence" remains frustratingly inert and vague, as though the helmer never wanted to commit to a single idea, instead offering several half-baked concepts with hopes something might stick.
April 12, 2018
Austin Chronicle
Submergence - despite much lovesick gravitas from its two leads - never quite coalesces into the epic romance that it should. It fizzles when it should ignite, leaving the viewer with a palpable yearning for something other than a shrug.
April 12, 2018
Village Voice
You'll have nobody to blame but yourself - or the filmmakers - if you keep watching after the sixty-minute mark.
April 11, 2018
Variety
Even two glamorous and well-matched stars of the moment can't do much to undermine the Wenders meander.
September 12, 2017
El Mundo (Spain)
Submergence lives only pending its rigor, its strange and pompous efforts of abstraction. And, of course, it runs out. There is no air left. [Full Review in Spanish]
April 10, 2018
Los Angeles Times
Despite the potent raw material at his disposal, Wenders listlessly flips back and forth between the two backdrops, allowing any remaining element of dramatic tension to slowly seep out along the way.
April 12, 2018
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