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In the United States, and specifically in California, Cassius Green discovered a magical key to material glory after he worked as an e-marketing officer; while Green's career began to take off, his friends and colleagues organized a protest against corporate repression. In the end Steve Leavitt will pay a handsome salary after convincing him.
[The] critique, ultimately, is a moral reversal, one that has less to do with making the white man a stereotype than with giving the black one a sense of self.
Soon enough the logic of maximal profit infiltrates every crevice of human life, including the human body. To say more is to spoil the surprise-and the last third of the movie is a wild ride.
This bold new film not only shatters comedy's cold streak, but also serves as a powerful reminder of the vitality of the genre as both social commentary and shared experience.
Telemarketers as targets from which satire flows eternal were spigotted about the same time as mall cops, and that's not all this jammed-scattergun approach to comedy has in common with the terminally dopey Paul Blart.
Sorry To Bother You [is] doubly exciting: it's conscious of what it achieves in its absurdity, just as much as it's conscious of the dangers of late-stage capitalism.