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Originally, theater consisted of mystery dramas and church services. Now we have horror, slasher films, and pornography. These do not uplift humanity. But 'Son of God' tries.
This is more a pageant than a story about characters and their motivations; it's as brusque in its storytelling as an illustrated children's bible, which would at least offer some mystery and grandeur in the composition of its images.
Son of God holds a particular relevance during these spiritually confusing times, and reminds that the story of Christ need be one that is never forgotten.
Aimed at a devotional middle-American audience, this never risks the sort of individual perspective necessary to bring the story to life onscreen, for good or ill.