Sity of Sin (Hotel Noir) 2012 Watch Free in HD

Malin Akerman

12 May 1978, Stockholm, Stockholms län, Sweden

Patrick Arthur

Aaron Behr

28 September 1976, Minneapolis, Minnesota, USA

Michael Raif Brizzolara

John Colella

Kevin Connolly

5 March 1974, New York City, New York, USA

Michelle Dawley

Rosario Dawson

9 May 1979, New York City, New York, USA

Lauren Dearmon

Danny DeVito

17 November 1944, Asbury Park, New Jersey, USA

Isaac Eshete

14 November 1993, Carlton, Melbourne, Victoria, Australia

Andrew Fiscella

25 May 1966

Robert Forster

13 July 1941, Rochester, New York, USA

Carla Gugino

29 August 1971, Sarasota, Florida, USA

Michael B. Jordan

9 February 1987, Santa Ana, California, USA

10 April 1984, Nashua, New Hampshire, USA

Ermahn Ospina

Cameron Richardson

11 September 1979, Baton Rouge, Louisiana, USA

29 October 1967, Twickenham, Middlesex, England, UK

10 September 1974, Caracas, Venezuela

Sebastian Gutierrez

10 September 1974, Caracas, Venezuela

Swedish Mary

Played by: Malin Akerman

Bettie Page

Played by: Kim Mahair

New York Daily News

It's hard to know whether Sebastian Gutierrez is imitating or satirizing the hard-boiled noirs of Hollywood's past, but either way it feels like a botched attempt.

October 11, 2012

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Film Journal International

This film noir homage should have been fun, but it's cheaply shot and indifferently conceived

October 12, 2012

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Hollywood Reporter

A first-rate cast and stunning black-and-white visuals aren't enough to make this homage to classic film noir successful.

October 11, 2012

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Village Voice

Gutierrez bathes in moodiness while remaining unconcerned with anything so pedestrian as dramatic cohesion.

October 09, 2012

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New York Observer

The film's weakest link is Rufus Sewell's rumpled gumshoe, inarticulate and mumbling to the point of madness.

October 10, 2012

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Time Out

You never lose the nagging sense that you're simply watching a high-school drama club's production of '40s fatalism chic.

October 09, 2012

NewsBlaze

Though the kooky tale could have been more focused with fewer punchlines, all that seems to be missing is the dame called toots perhaps remarking to her latest possible infatuation: Is that a Kalashnikov in your pocket, or are you just glad to see me.

October 08, 2012

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New York Times

To succeed as more than a study in artifice, a film - especially one steeped in fatalism - needs to feel real.

October 11, 2012

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