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Despite having a great career and a loving family, lawyer John Clark is missing something in his life as he meanders listlessly from day to day. When he notices a beautiful instructor, he soon signs up for ballroom dancing lessons.
There are so many appealing performers in Shall We Dance? that it's a crime the director, Peter Chelsom, and the screenwriter, Audrey Wells, haven't given them more to do.
Under the clunky direction of Peter Chelsom, while forced to mouth inane dialogue by Audrey Wells ... a swell bunch of troupers get mangled in a monsoon of clichés.
Takes a small, exquisite Japanese movie and turns it into a big, stupid American movie. Still, it must be said that as glossy and overproduced as the thing is, it's a good Big Stupid American movie.
Touches to make 'hip' what should be an unabashedly square story--such as the casting of Nick Cannon in a supporting role and an out-of-nowhere cameo by Ja Rule--more jar than gel.
Offers attractive, inoffensive characters and a smattering of broad laughs, but it fails to use its potential to explore weightier themes such as John's mid-life crisis.