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This movie centers on Elle Marja, 14, who is taken from her home and family and sent to a state school where indigenous students are converted into acceptable members of Swedish society.
With its flaws comes a wonderfully evocative atmosphere, full of instilled feeling that normally comes with the territory of remembering: nostalgia, ruefulness, yearning.
Although the film's impact may be different for each viewer, the universal theme of struggling for acceptance is felt by all, and Sami Blood is a terrific example of this feeling portrayed onscreen.
"Sami Blood" is a beautiful, haunting film, anchored by a startlingly accomplished lead performance. It has the feeling of a distant memory - one that is neither entirely pleasant nor painful, but persistent.
With her youthful hope poisoned by guilt, writer-director Amanda Kernell's camera stays on the teenager, so scenes have a simultaneous sense of discovery and reckoning that's grounded in documentary-like observation and adolescent rites.
Although it's a just film... it takes a long time to gain momentum and when it does it lacks the intensity necessary to distinguish it from other works with a similar theme. [Full review in Spanish]
While "Sami Blood" can sometimes seem didactic, Ms. Kernell, who has Sami heritage, richly conveys a sense of the time and place, with elegant shots that glide through the Nordic wilderness.
At its best, Sami Blood can be read as an especially remarkable footnote about that complex relationship between bodies and the cinematographic framing that appears every so often in film theory. [Full review in Spanish]