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The movie follows a single mom as she tries to break free from a mysterious organization that has abducted her and intend to turn her into a monster. On the process, she uncovers a powerful secret about herself.
Dreary, derivative and flat-out dopey, this dragged-out torture tale will disappoint even those whose hearts race whenever they see a female character strapped to a bed.
Not at all satisfying, and as the feature begins to unravel while pursuing impossible visual and storytelling goals, one begins to wonder if the basic atmosphere of suffering isn't feeding Shainberg's personal appetites.
A diluted interpretation of Aughts torture-porn with a film-student appreciation for Gaspar Noé's color palette, Rupture is a sci-fi abduction thriller that leaves little to be thrilled about.
Rupture falls into the very worst category a fim out of the horror genre can be found it: boring. It's wasted potential with a hint of creative bankruptcy, a sour martini that's flatter than week-old beer.
It's been 15 years since Shainberg's wonderful "Secretary" and 11 since his lesser, yet still interesting "Fur," but this film replaces his facility with gentle, peculiar inquisitions into fetishism with something much more generic.