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A hit man for an Irish gang in the Depression-era Midwest, hit man Michael Sullivan is known to friends and enemies alike as the Angel of Death. But his bonds of loyalty are put to the test when his son witnesses what he does for a living.
What makes the movie pay off is moving pictures of real action and of intimate scenes between man and boy that are all the more moving for being understated.
The top-billed actors deliver: Hanks with his resonant reserve and Newman in conveying Rooney's failed attempt to live up to his self-image as the ultimate just and loving patriarch. [Blu-ray]
Gangsters. Parents. Children. Honor. 'Road to Perdition' is all this and more, perhaps too perfect or too calculated, but with great cinema in it. [Full review in Spanish]
Crisply, starchily self-conscious in its efforts to be a gangster epic. A pretty-enough remote place, with its rain and snow and fedoras and trenchcoats, but it's still a long way from Boardwalk Empire and Miller's Crossing.
While crisply edited and unindulgent, Mendes' work is gratifyingly old-school in its rejection of modern-day stylistic agitation, the better to achieve a slow but inexorable build to its climax.
August 08, 2008
Jonathan Rosenbaum
Sam Mendes's 2002 follow-up to American Beauty finds him every bit as adept, arty, and Oscar hungry.