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A journalist returns to the California farming community where she was raised only to find it has been ravaged by drought and has become a place ruled by gangs.
Ludicrous Lucas Oil-man financed propaganda picture in which California's water crisis isn't due to climate change or development or poor water policies, but evil environmentalists.
As much as I enjoy the image of Jane Seymour blasting away with a shotgun that's probably bigger than she is, the melodrama of the effort only manages to cripple the production.