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The movie centers on Sylvie Cooper, a seductive teen who befriends an introverted high school student and schemes her way into the lives of her wealthy family. But she does not know that her new friend embarks upon a campaign to destroy her family, a plan which includes seducing her father.
Shea's arty-trashy exploitation film is an amalgam of Fatal Attraction, Stepfather, and Pasolini's Teorema, in all of which the order of a middle-class is disrupted by a depraved interloper, if only the script were better
Why settle for the usual walk around the exploitation block when Shea offers a wild ride with the top down into uncharted territory?
May 12, 2001
Chicago Sun-Times
There is scarcely a moment in the movie when the story works as fiction; I was always aware of the casting, of the mood-setting devices, of the stylistic borrowings from Hitchcock.