Pasolini 2014 Watch Free in HD

The movie tells the story of the final days of Italian film director Pier Paolo Pasolini in 1975 while he's in the process of defending his latest film Salo, 120 Days of Sodom from the censors.

Genre:

Drama, Biography

Actors:

Willem Dafoe, Riccardo Scamarcio, Maria de Medeiros, Giada Colagrande, Valerio Mastandrea, Chiara Caselli, Tatiana Luter, Luca Lionello, Adriana Asti, Ninetto Davoli, Fabrizio Gifuni, ...»

Director:

Abel Ferrara

Country:

Euro, France

Release:

2014

IMDb:

5.9

Quality:

Duration:

84 min

Variety

Presumably, to understand Pasolini is to excavate him from the twisted miasma Ferrara has created in his image.

September 08, 2014

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Independent (UK)

The film isn't so much a conventional narrative as an elegy and a parable.

September 11, 2015

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Georgia Straight

Despite notable complications rising from casting, concept, and structure, the film works remarkably well.

February 18, 2016

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Hollywood Reporter

The result borders on incoherence, providing few startling insights for aficionados and minimal illumination for the uninitiated.

September 08, 2014

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Sight and Sound

Despite Ferrara's insistence that he and his key crew are devout students of Pasolini's cinema, he applies the lessons of this apprenticeship freely, without mimicry.

September 11, 2015

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Sunday Independent (Ireland)

It is difficult for anyone unfamiliar with Pasolini to keep track and to appreciate all of the details in what is undoubtedly a lovingly researched but ultimately hard-to-grasp homage.

March 11, 2016

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Radio Times

Even cineastes with a good working knowledge of Pier Paolo Pasolini's life and works are going to struggle to navigate this capriciously intricate account of his final days in November 1975.

September 11, 2015

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South China Morning Post

Abel Ferrara's reverent portrait of Pier Paolo Pasolini's last day alive serves as both a fan's impassioned eulogy and a speculative glimpse at what might have transpired.

June 06, 2016

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The Film Stage

It's an absorbing portrait, particularly compelling when relying on Pasolini's own words, which we hear verbatim through original letters and interviews.

March 12, 2016

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Observer (UK)

The heady cocktail of politics, religion, blowjobs and murder is catnip for Ferrara, although anyone not versed in the controversies of Salò may leave the film none the wiser.

September 13, 2015

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AV Club

A flawed film of unvarnished integrity.

September 11, 2014

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