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Parker is a reckless, precise and merciless thief. He demands a great loyalty from his team and they have to follow the order given to them. But the robbery becomes extremely dangerous because of one member’s fault. Parker decides not joining the next plan with the gang’s baron. They shoot him and leave him on an empty road.
A cool, violent, efficient adaptation of the taciturn anti-hero (the creation of Donald E. Westlake, writing as Richard Stark), who's out to restore order in a bloody world in his own bloody way.
Parker's vengeance isn't thrilling, there's a pointlessly developed non-love triangle, even the glam settings look cheap, and the tough-guy exchanges are inexplicably flat.
Calling "Parker" run-of-the-mill insults the pleasures of the potboilers it's trying to emulate. It feels like the product of misfits who broke into a mill shuttered on the edge of town and fired up the machines without understanding how they work.
A little more energy behind the camera and a different leading lady and Parker could have been something great. As it stands it's a treat for Statham fans only.