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In 1887, three violent fugitives hold a couple and their children (Francesca Eastwood, Madisen Beaty) hostage in their isolated New Mexico farmhouse. An unexpected game of cat and mouse ensues, leading to seduction, role reversal, and ultimately, bloody revenge.
Francesca Eastwood does her daddy proud as the gunslinging heroine of this bloody, revenge-fueled Western more reminiscent of a Tarantino splatterflick than one of Clint's classics.
July 16, 2016
Punch Drunk Critics
"The innocence or the darkness, which are we?" Josiah asks; Outlaws and Angels goes too heavy on the latter, to its own detriment.
In a sea of grimy indie Westerns, especially ones that started with the same genre canvas, "Outlaws & Angels" is a thoroughly ugly example of when "Tarantino-esque" is the most generous compliment.
"Outlaws and Angels" isn't perfect - Murray mumbles into his beard way too much - but Eastwood sure is at ease with a cowboy hat and revolver. Clearly, she's studied with the best.
This particular revenge tale isn't an example of incompetent filmmaking, just sadly misfocused storytelling. Life in 1887 wasn't easy, but at some point, there has to be something more to say.