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A programmer and a budding comedian are happily married until they use each other in their work to create the perfect call center program. However, the husband begins replacing his wife with an ideal computerized replica.
Emotionally engrossing if not 100% persuasive in its last act, it balances techno-alienation and warmth in ways that will resonate with art-house audiences.
Begins as a very funny comedy, but its two lead performances (including the best work of Whitman's career) carry the film to uncommon insight into how we relate, emote and will always need the spontaneity of the human experience.