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Taking co-directorial reins with Panna Rittikrai, Jaa has erected a portentous platform for his high-flying athleticism, bearing none of the freewheeling spirit or humor that made his feature debut a guiltless pleasure.
... the lack of any dramatic center leaves the action, for all its bloody carnage and brutality, emotionally untethered: all spectacle and no character.
The 'sequel' to Jaa's stunning international debut, Ong-Bak, and his third international outing after the entertaining The Protector, but it contains only a fraction of the previous two's joyful invention.
Tony Jaa is a lot of fun to watch, but Ong Bak 2: The Beginning is not only a step back in time -- to 1431 -- but a step back in this martial artist's international film career.