One and Two 2015 Watch Free in HD

Kiernan Shipka

10 November 1999, Chicago, Illinois, USA

Timothée Chalamet

Elizabeth Reaser

15 June 1975, Bloomfield, Michigan, USA

Grant Bowler

18 July 1968, Auckland, New Zealand

Rayven Symone Ferrell

2 September 1995, Ohio, USA

Dale Girard

July 4, 1964 in Regina, Saskatchewan, Canada

Sherry Sparks-Jenkins

New York Times

The film tries, unsuccessfully, to walk the same eerie, atmospheric trail as "The Village" by M. Night Shyamalan, or any number of Stephen King works.

August 13, 2015

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Empire Magazine

It looks beautiful and there is an interesting denouement, but it disappoints; the build-up just isn't developed enough for it to matter.

January 28, 2016

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The Film Stage

Quiet and contemplative, One & Two is confident in the story it wants to tell and achieves so with remarkable poise.

February 23, 2016

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RogerEbert.com

"One and Two" never feels as momentous or as angsty as a good story about moody teenagers should, and that's mostly because the film lacks a menacing parental adversary.

August 14, 2015

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Guardian

It's like Terrence Malick were making a superhero origin story. The lack of explanation wouldn't be a problem if the ending didn't feel somehow predictable and lethargic, but the cast help make this watchable.

January 28, 2016

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Variety

There are simply too many loose ends to distract us, and too much empty air in which audiences can't help but poke holes.

August 10, 2015

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Daily Express (UK)

Every half-hearted plot twist and supposedly startling jolt underlines just how feeble and derivative this all is. The end result is just silly rather than scary.

January 31, 2016

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Time Out

Sally Draper leaps to the big screen in this slight, sumptuous drama about teleporting teens.

August 13, 2015

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Hollywood Reporter

Disparate influences percolate but never quite cohere in Andrew Droz Palermo's first narrative feature One & Two, which while atmospheric and beautifully lensed ends up being a touch too elliptical for its own good.

August 10, 2015

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SciFiNow

It's a very handsomely made film, the performances are very good, and Palermo's understated vision is definitely intriguing. We just can't help wishing that there was a bit more to it.

February 05, 2016

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Los Angeles Times

Gorgeous and naturalistic shots by cinematographer by Autumn Durald speak volumes, and the atonal, foreboding score by Nathan Halpern creates a sense of dread, though they are ultimately squandered in an underdeveloped story.

August 20, 2015

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