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Bond is sent on a mission to discover how another, dying, ';;;;;;00';;;;;; agent crashes through the British Embassy';;;;;;s window with a fake Faberge egg in his hand. Bond becomes suspicious when Kahn meets up with Russian General, Orlov and discovers a connection between the priceless egg, an elaborate smuggling operation and a plot by a renegade Soviet general to instigate World War Three.
Glen's willingness to give the action sequences a certain weight and seriousness produces some genuinely exciting moments, yet his work is everywhere undermined by the flatness of the characterizations and the uncertain architecture of the plot.
The action sequences are tighter, the visual gags more inventive, and if the plot is no great shakes, the whole thing is served up with a decent approximation to the old panache.