Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
A woman is left with amnesia following a car accident, an aspiring young move to Hollywood in search of stardom; the two seek for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
Lynch needs to renew himself with an influx of the deep feeling he has for people, for outcasts, and lay off the cretins and hobgoblins and zombies for a while.
January 22, 2002
Radio Times
With a sensational performance by Watts, it's a triple-strength masterpiece that will more than satisfy the die-hard Lynch mob and may even gain a receptive new audience for the Sultan of Strange.
Knowingly exploiting the tropes and clichés of Hollywood film while eschewing its formal and logical boundaries, Lynch's film strikes at the heart of cinema's power to represent mood, sensation and altered states of perception.
One of the very few movies in which the pieces not only add up to much more than the whole, but also supersede it with a series of (for the most part) fascinating fragments.
Like Twin Peaks, it keeps spooling out more narrative twists until the ingenious maze turns into an oppressive tangle.
October 28, 2001
Irish Times
Mulholland Dr is reissued some 15 years after it was released. It was rapidly hailed as the first great US film of the century. None since has been any more powerful.