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Scott and Penny are two young artists deciding to move to a remote cabin in the woods to create new art. But they'll soon discover that they are disturbing Mr.Jones - an infamously reclusive artist who lives nearby...
It all gets very artsy and weird in Act III (and I watched it twice) but hey, I'll take a bit of cerebral effort over just a bunch of door-slamming and bloodletting.
That it half succeeds, in spite of its cloying self-seriousness, means that it's at best a convincing copycat of a definitive expression of ego and influence in art.
In attempting to experiment with horror tropes and the found-footage format, director Karl Mueller tries too hard and walks away with a muddled, drastically uneven hodgepodge.
Early scenes prove an exception to most of this genre du jour's tired rules, which makes it especially disappointing when the third act does little more than reinforce them.