Do you have a video playback issues?
Please disable AdBlocker in your browser for our website.
Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
The events of this film happen after the end of the world where the cities battle each other to get by with the small residual assets. Among this mayhem, there is a youthful masked young lady, Hester, who needs to slaughter the man who killed her mom. Be that as it may, her target might be changed when she meets Tom, a young fellow from London with whom she attempts to rescue the world.
One of the most impressive examples of "world building" in recent years, surpassing such contenders as Valerian, Cloud Atlas, and even the recent Star Wars episodes.
This should've been amazing. Even the ending owes itself to another film...it feels like a bunch of movies we've seen before, that are better than this.
The plot is both daft and derivative, and the commonplace YA elements end up overtaking the welcome WTF moments by the end. But the world-building is spectacular and almost makes this worth the price of admission.
This big budget, effects-laden movie about a strange post-apocalyptic world where predator cities roll around on tank-like treads looks great, but the story of romance and revenge is just barely adequate.
Visually, it's busy, hefty and propulsive, but emotionally and thematically, it's as light as air. These engines could have used a bit more in the tank.